摘要
“中国图像传播史”的重点在于“传播”,对“图像传播”的研究能使图像史研究的缝隙形成链接,建立完整科学的中国图像研究史。“多元一体”是从文化共同体角度解读中华文明形成历程的重要理论。本文对商代青铜文明的长江中游的新干大洋洲、古蜀文明、黄河流域殷商文明出土典型文物进行比较,寻找三者之间的造型观念、纹饰系统、工艺技术等领域的关联与互通。
The focus of"the history of Chinese image dissemination"lies in"dissemination",and the study of"image dissemination"can bridge the gap in the study of image history and establish a complete and scientific history of Chinese image research."Diversity and unity"is an important theory for interpreting the formation process of Chinese civilization from the perspective of cultural community.This article compares typical cultural relics unearthed from the Bronze Civilization of the Shang Dynasty in the middle reaches of the Yangtze River,including the Xin Gan Oceania,the Ancient Shu Civilization,and the Yin Shang Civilization in the Yellow River Basin,in order to explore the connections and interconnections among the three in terms of modeling concepts,decorative systems,and technological processes.
出处
《当代美术家》
2024年第1期4-14,共11页
Contemporary Artists
基金
国家社科基金艺术学重点项目“从中华古代图像传播史看华夏‘多元一体’文明形成观”(23AF011)阶段性研究成果。
关键词
多元一体
三星堆
殷商
新干大洋洲
diversity and unity
Sanxingdui
Yin Shang
Xin Gan Oceania
