摘要
文章运用文献资料法、访谈法和逻辑分析法等研究方法,从发生、内涵、对策三个层面对中国武术象形拳进行深度探析。研究认为:(1)象形拳的发生是因为人类“自身不足”而展开的技术生产,是一种代具性拳术;(2)象形拳是“一形两意”的身体技术及文化内涵,既要模仿动物之形,也要呈现动物内在精神的“意态”与模仿技术的“拳意”;(3)针对象形拳的“拳意”缺席,提出:第一,回归自然,师法自然,寻找动物的“第一自然力”;第二,有关部门制定突出攻防意识的比赛规则;第三,教练员发挥主导作用,提高教练员的攻防意识与意志引导;第四,师生自觉探赜武术正典与问艺于民间。
Using the methods of literature materials,interviews,and logical analysis,this paper conducts an in-depth analysis of Chinese Wushu pictographic boxing from the three levels of occurrence,connotation and countermeasures.It is believed that:(1)the occurrence of pictographic boxing is due to the technical production of human beings'"self-deficiency",and it is a kind of representative boxing;(2)pictographic boxing is a physical technique and cultural connotation of"one shape and two meanings",and it is necessary to imitate both.The shape of an animal should also present the"intention"of the animal's inner spirit and the"fist meaning"of imitating technology;(3)The absence of the"fist meaning"of the acupuncture and the shape of the boxing proposes:First,return to nature,learn from nature,and seek out the meaning of animals."First Force of Nature".Second,the relevant departments formulate the rules of the game that highlight the awareness of offense and defense.Third,coaches play a leading role to improve their offensive and defensive awareness and will guide.Fourth,teachers and students consciously explore the canon of Wushu and ask about art among the people.
作者
王伟业
张彤
Wang Weiye;Zhang Tong(Department of P.E,Jiangnan University,Wuxi Jiangsu 214122,China)
出处
《武术研究》
2024年第6期27-32,共6页
Wushu Studies
基金
江苏高校哲学社会科学研究项目,编号:2022SJYB0955
江南大学第二批通识精品课程《五禽戏》。
关键词
中国武术
象形拳
发生
内涵
Chinese Wushu
Pictographic boxing
Occurrence
Connotation
Countermeasures
