摘要
神话剧是一种具有民族风格与魅力的戏剧类型,通过舞台表演对口承神话或书面神话予以形象化、艺术化的重塑,向大众直观立体地呈现民族文化,传递价值取向。文章通过探讨“嫦娥奔月”神话剧这类个案,发现:神话的舞台艺术表达是一种跨媒介融合叙事,由多元主体创作,运用多种媒介符号,经过主体间协商完成;由此,神话不再是以语言文字为载体的既定作品,而是以视觉为中心、动态开放的综合表演艺术。这一发现为戏剧媒介中的神话主义的研究提供了一种以“视觉”“表演”“交流”为中心的分析视角,丰富了神话研究的艺术维度,对创作具有中国特色的现代化神话剧、构建中华民族的舞台视觉艺术形象具有一定的启发意义。
Mythical drama is a type of drama with ethnic style and charm.Through stage performance,it visualizes and artistically creates the myths,displays ethnic culture and conveys value orientation to the public in an intuitive way.Based on an exploration of the"Chang'e Flying to the Moon",found that mythical drama is a cross-media integrated narrative completed by multiple creative subjects,using a variety of media symbols and through inter-subject negotiation.The myth is no longer an established work with language,but a visualcentered,dynamic and open comprehensive performing art.This provides an analytical perspective of mythologism centered on"visual""performance"and"communication",enriches the artistic dimension of myth research,and also inspires the creation of modern mythical drama with Chinese characteristics and the construction of the stage visual art image of the Chinese nation.
出处
《西北民族研究》
北大核心
2024年第2期84-93,共10页
Journal of Northwestern Ethnic Studies
基金
国家社会科学基金重大项目“中国神话资源的创造性转化与当代神话学的体系建构”(编号:18ZDA268)的阶段性成果。
关键词
神话主义
媒介
舞台艺术
视觉符号
嫦娥奔月
Mythologism
Medium
Stage Art
Visual Symbol
Chang'e Flying to the Moon
