摘要
欣德米特在其晚期著作中提出“调性功能理论”,并赋予音序I中每个音级以独立的功能涵义,进而使十二个半音各自拥有独特的十二种功能。调性功能理论突破了传统和声理论中自然音体系与半音体系的界限,并将和弦与和弦连接放置在调性功能的语境中评判其调性价值。和弦根音的功能决定其和弦结构的复杂程度、协和程度及其调性价值;在和弦连接中,根音之间的功能远近决定其调性价值。该理论作为“新调性”音乐分析研究方法或视角,旨在延续传统和声功能理念,并寻求其拓展与突破的可能。
Hindemith,in his later writings,argued for"tonal function theory",and endowed each tone level in Sequence I with independent functional meaning,thus making each of the twelve semitones have twelve unique functions.Tonal function theory breaks through the boundary between natural tone system and semitone system in traditional harmony theory,and puts chords and chord connections in the context of tonal function to judge their tonal value.The function of the root of a chord determines the complexity of its chord structure,the degree of harmony and its tonal value.In chord connections,the functional distance between the roots determines their tonal value.The theory as"new tonality"research method or perspective of music analysis aims at continuing the traditional concept of harmony function and seeking for its expansion and breakthrough.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2024年第2期178-192,共15页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2018年度国家社科基金艺术学重大项目“中国现当代作曲理论体系形成与发展研究”阶段性成果,项目批准号:18ZD15
2022年度陕西省高校青年创新团队(The Youth Innovation Teamof Shaanxi Universities)西安音乐学院“一带一路”民族音乐文化研究与艺术呈现创新团队阶段性成果,项目批准号:。
关键词
欣德米特
调性功能理论
三声部写作
传统和声
Hindemith
Tonal function theory
Three-voice writing
Traditional harmony
