摘要
中国笙作为世界“自由簧”乐器的鼻祖,不仅对日本、韩国与朝鲜的笙有着深远影响,还对中国各少数民族及东南亚诸多民族的笙类乐器发展具有重要的促进作用。比较分析流传于老挝及泰国北部等地区的排笙并展开研究其发展历史、文化属性、形制音位、制作工艺及演奏特点,发现排笙的前身即《新唐书》中的骠国“大匏笙”。东南亚排笙独特的选材及制作工艺进一步推动中国笙的发展,并为学术界带来更多深刻的思考,也为中国笙注入新的发展活力。
Chinese sheng is the originator of world"free-reed mouth organ",not only with a profound influence on the same typed instruments of Japan,South and North Korea,but also as an important role in promoting the development of similar musical instruments of various ethnic minorities in China and many ethnic groups in Southeast Asia.This paper studies the khaen(paisheng)which is popular in Laos and northern Thailand.Through in-depth comparative analysis of its ethnic history,cultural attributes,shape,pitch position,production technology and performance characteristics,we can see that the predecessor of paisheng(sheng with a keyboard)is the"Grand Pausheng(grand gourd sheng)"of Pyu Kingdom in New Tang Book.The unique material selection and production process of Southeast Asian khaen will further promote the development of Chinese sheng,bring more profound thinking to the academic community,and inject new vitality into Chinese sheng.
出处
《音乐艺术（上海音乐学院学报）》
北大核心
2024年第2期39-49,共11页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
上海音乐学院2022年校级科研项目“东南亚排笙考”阶段性成果,项目批准号:2022XJ3D01。
关键词
笙
骠国乐
排笙
东南亚排笙(Khaen)
Sheng
Pyu national music
Paisheng
Southeast Asian paisheng(khaen)
