摘要
在20世纪中国美术史上,张一尊是一位重要却被淡忘的画家。本文简要概述了张一尊的艺术生平,并以鲜被关注的张一尊山水画创作为主要对象,依靠对作品和史料的分析,重点梳理了张一尊山水画从以四王为宗、直追宋元笔意到注重实景写生、追求时代气息的风格转变与创作历程。通过历史重构,试图还原1949年后张一尊因社会环境剧变,不断调整和探索个人山水画创作的基本状态,从而探讨这一创作转变中艺术家的心路变化和种种努力。
Zhang Yizun was an important but ignored painter in Chinese art history in the 2oth Century.This article summarizes his artistic career,and,by analyzing his landscape paintings that have received little attention and relevant historical materials,teases out his change of style and creation process from learning from Wang Shimin,Wang Jian,Wang Hui and Wang Yuanqi,four great painters during the Qing Dynasty and drawing inspiration from paintings created during the Song and Yuan Dynasties to emphasizing real-life sketching and demonstrating the trend of the times.Through historical reconstruction,this article tries to demonstrate how Zhang Yizun changed and explored his creation of landscape paintings after 1949 due to great social changes,thereby discussing changes in his state of mind and his various efforts in this process.
作者
陈元幸子
Chen Yuanxingzi(Hu'nan Art Museum)
出处
《美术》
北大核心
2024年第5期36-39,共4页
Art Magazine
关键词
张一尊
山水画
写生
湖南美术
Zhang Yizun
landscape paintings
sketching
fine arts in Hu'nan
