摘要
“山水”常被用以泛指一切自然景象,这与《周易》立象尽意的象征观念和天人交感的“三才”思想有着微妙的关系。由于天地玄远,不可骤观,古人在天人交感的具体实践中,受阴阳五行学说的影响,逐渐以“山水”作为“天地”的象征,“山水”由此成为以天地之象统摄万物的符号媒介。
The term“mountain and water”is often used to refer to all natural scenes,which has a subtle relationship with the symbolic view of creating xiang(象)to express meaning(意)completely and the“Three Powers”(三才)ideology of“induction of heaven and mankind”(天人感应)in Zhou Yi.Since heaven and earth are far away and cannot be viewed at once,the ancients,influenced by the Yin-Yang and five elements(阴阳五行)ideology in the specific practice of“induction of heaven and mankind”,took“mountain and water”as a symbol of“heaven and earth”,which became a symbolic medium to mean in general all things.
作者
郭沫岚
GUO Molan(Guangxi University,Nanning 530004,China)
出处
《温州职业技术学院学报》
2024年第1期92-96,共5页
Journal of Wenzhou Polytechnic
关键词
山水
《周易》
立象尽意
天人感应
阴阳五行
mountain and water
Zhou Yi
creating xiang to express meaning completely
induction of heaven and mankind
Yin-Yang and five elements
