摘要
贾平凹作为中国当代文坛贯穿性的作家,始终引领着中国小说尤其是长篇小说不断走向创新性的艺术探索。贾平凹的长篇小说创作始终具有强烈的中国文化意识及其中国小说的文体实验意识。回顾贾平凹在21世纪初期的长篇小说实践,《怀念狼》和《病相报告》这两部作品注重用整体象征的手法表现小说的深层意蕴,或者说是通过形而下的故事来解释形而上的哲学境界。这两部小说通过人类生存危机的意象化叙事和“病象社会”的意象化叙事,赋予了小说主题形而上的文化思考和宏大叙事,并通过全新的“意象”小说文体范式的探索,实现作者在21世纪初的全球化语境下对传统性与现代性问题的深入思考。
Jia Pingwa,a cutting figure in contemporary Chinese literary circles,has always been in the avant-garde of Chinese novelistic creation.And always visible in Jia Pingwa's novel writings is a strong awareness of Chinese culture and a sense of stylistic experimentation in Chinese novels.Looking back at Jia Pingwa's novel creation early in the 21st century,we find in the two works Missing the Wolf and Sickness Report a same focus on the employment of overall symbolic techniques to express the deep meanings,or in other words,to explain the metaphysical and or philosophical realms through narrative stories.These two novels endow their themes with metaphysically cultural reflections and meta-narratives through the imagery narrative of human survival crisis and the imagery narrative of"sick society".As well,through the exploration of a new"imagery"novel style paradigm,the author realizes an in-depth thinking on the issues of tradition and modernity in the context of globalization at the beginning of the 21st century.
作者
许爱珠
周剑波
XU Aizhu;ZHOU Jianbo(College of Humanities,East China Jiaotong University,Nanchang,330010,China)
出处
《常熟理工学院学报》
2024年第3期80-84,共5页
Journal of Changshu Institute of Technology
关键词
贾平凹
意象化叙事
意象小说
新汉语写作
Jia Pingwa
imagery narrative
imagery novel
New Mandarin Chinese Writing
