摘要
法国作家左拉的《萌芽》(法文le germinal)系第一次将工人阶级作为整体力量呈现在文学作品中的长篇小说。工人群体关系着一个现代国家政治、经济、文化等领域的深层矛盾。透过文学形象,研究左拉《萌芽》中的工人群体的政治经济学书写,能够洞察文学作品中工人形象构建的深层逻辑,把握工人群体与国家及社会发展的深刻关联。研究表明,工人形象静态上因劳动异化呈现为压迫与剥削下的动物形象,动态上表现为博弈后由分裂走向联合的群体工人形象,并随着阶级发展呈现出思想与行动渐趋成熟的革命者形象,体现出在马克思第一国际的科学社会主义传播影响下,工人由自在阶级变化发展为一个自为阶级的历史过程。
The French writer Zola’s Germinal(Le germinal)was the first full-length novel to present the working class as an integral force in literature.The workers’group is related to the deep contradictions of the politics,economy and culture of a modern country.Through the literary image,the study of the political economics writing of workers in Zola’s Germinal can provide insight into the deep logic of the image construction of workers in literary works,and grasp the profound connection between workers and the development of the country and society.The research shows that the image of workers is a static presented as the animal image under oppression and exploitation due to labor alienation,and dynamically represented as the image of group workers from division to union after game,and follows the development of class presents the image of revolutionaries with mature thoughts and actions,and reflects the historical process of workers developing from the spontaneous class change to the conscious class under the influence of the spread of scientific socialism in Marx’s First International period.
作者
张伟春
Zhang Weichun(School of Foreign Languages,Sichuan Normal University,Chengdu 610101)
出处
《西部学刊》
2024年第9期112-115,共4页
Journal of Western
关键词
工人形象
《萌芽》
左拉
政治经济学
法国文学
image of workers
Germinal
Zola
political economics
French literature
