摘要
婴戏纹是中国传统纹样中的经典吉祥纹样,广泛应用于古代的手工艺作品中.本文以理学视角分析宋代婴戏纹的审美与文化意蕴,从中探究宋代社会生活与宋代美学特征.研究表明,婴戏纹的表现内容具有世俗化、生活化的特点,其艺术特征和背后的情感寄托、文化内蕴与理学思想有着密不可分的关系.
The pattern of children at play is one of the traditional auspicious patterns in China,which is widely applied to the ancient Chinese handicrafts.This paper analyzes the aesthetic and cultural meanings of the pattern of children at play in Song Dynasty from the perspective of Neo-Confucianism,and further explores the social life and aesthetic characteristics of Song Dynasty.The research shows that the expression of this pattern reflects the characteristics of secularization and livelihood.In addition,its artistic characteristics,emotional attachment and cultural connotation are closely related to Neo-Confucianism.
出处
《包装与设计》
2024年第2期172-173,共2页
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关键词
宋代
婴戏纹
理学
审美性
Song Dynasty
pattern of children at play
Neo-Confucianism
aesthetics
