摘要
俄罗斯第一音乐先锋派作为20世纪初欧洲音乐创作技法革新的“领跑者”,它的形成源于对自由音乐的追求、对新规则的探索,以及先锋思想与社会主义群众音乐的结合。卢里耶、罗斯拉韦茨、韦什涅格拉茨基、莫索洛夫、阿夫拉阿莫夫等音乐家在无调性、十二音、微分音音乐、噪音音乐、无主题主义等技法领域展开深入探索,发出了整体序列音乐、具体音乐、频谱音乐的先声。俄罗斯第一音乐先锋派技法的创新与社会变革思潮融为一体,既受到当时欧洲文化环境与俄罗斯民族乐派创新传统的影响,又得益于俄国革命思想的激励与新政府的支持。
As the forerunner of the innovation of European music creation techniques in the early 20th century,the formation of the First Russian Music Avant-garde stems from the pursuit of free music, the exploration of new rules, and the combination of avant-garde ideas and socialist mass music. Lurie, Roslavets, Veshnegradsky,Mossolov, Avraamov and some other musicians carried out in-depth exploration in the fields of atonality,twelve-tone, microtone music, noise music, and non-thematic music, and heralded the later integral sequence music, concrete music, and spectral music. The technical innovation of the first Russian avant-garde music was integrated with the trend of social change, which was not only influenced by the European cultural environment and the innovative tradition of the Russian national music school at that time, but also benefited from the encouragement of the Russian revolution and the support of the new government.
出处
《音乐艺术（上海音乐学院学报）》
北大核心
2024年第1期113-125,共13页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2021年教育部人文社会科学研究一般项目“俄罗斯现代和声分析体系研究”阶段性成果,项目批准号:ZI YJA760048。
关键词
俄罗斯
先锋派
音乐
先锋性
Russia
avant-garde school
music
nature of avant-garde
