摘要
杂技在当代的发展一直没有厘清的一个问题是“就雅”还是“就俗”。双轴关系是任何符号文本所固有的品质,杂技作为身体表意的符号美学,其聚合轴与组合轴的选择与组合造就了其在不同时期的雅俗品质。当代杂技艺术在聚合轴的丰富性上不断做出各种尝试,从身体表意、服装、化妆、道具的配合到叙事内容的意义阐释,有了多样聚合,才有多元文本,聚合轴上的多样选择使得当代杂技呈现出“双轴共现”文本增生现象。解释的力量决定了符号发出者和符号文本的结构方向,解释意义在符号过程中的重要性决定了群众“聚合参与”的可能性,杂技艺术产业是中国式文化现代化的表现之一,时代主旋律因素赋能为其提供了新的发展可能。
It remains unclear whether contemporary acrobatics is elegant or vulgar.The double-axis relationship is inherent in any semiotic text,and acrobatics,as a semiotic aesthetics of body expression,has always been indebted to the selection and combination of the aggregation axis and combination axis for its elegance and vulgarity in different periods.Contemporary acrobatics has continuously explored the richness of the aggregation axis,from the combination of bodily expression,clothing,makeup,and propsto themeaning interpretation of narrative.Without diverse selection on the aggregation axis,there can be no pluralistic texts and therefore no phenomenon of text proliferation of the double axis in contemporary acrobatics.The strength of interpretation determines the sender of signs and the structural direction of semiotic text;meanwhile,the importance of meaning interpretation during the semiotic process determines the possibility of the“aggregate paricipation”of the masses.As one of the manifestations of Chinese cultural modernisation,the acrobatic art industry is blessed with new development possibilities arising from the main themes of the times.
作者
董迎春
张艳秋
Dong Yingchun;Zhang Yanqiu(School of Literature&Guangxi Ethnic Culture Protectionand Inheritance Research Center)
出处
《符号与传媒》
2024年第1期149-162,共14页
Signs & Media
基金
2022年国家社科基金艺术学西部项目“中国杂技基础理论研究”(22EE203)
2022年广西重点研究基地“广西民族文化保护与传承研究中心”建设项目(2022KFXDM01)阶段性成果。
关键词
符号双轴
当代杂技
雅俗
泛艺术化
当代阐释
double axis of semiotics
contemporary acrobatics
elegance and vulgarity
pan-artistry
contemporary interpretation
