摘要
暴力美学越来越多地在各种不同的艺术形式中展现;在陶艺作品中却少被谈起。暴力美学下的艺术作品有着许多的共同的表现方法,例如使用热烈的色彩与释放材料的张力来宣泄情感,不仅直接地展现暴力本身,还通过高度仪式化的制造冲突与破碎的方式表现崇高感。笔者以具体的作品为例,探讨了暴力美学视域下的陶艺所呈现给观众的不仅是抽象表现主义带来的情感,更深入地分析了暴力美学之下的痛感体验,攻击欲的释放,认识到生死本能,以及悲剧性的审美和酒神精神的存在。
The aesthetics of violence are increasingly displayed in various art forms;however,they are rarely discussed in ceramic works.Art works under the aesthetics of violence have many common expression methods,such as using warm colors and releasing the tension of materials to vent emotions.They not only directly display the violence itself,but also express a sense of sublimity through highly ritualized ways of creating conflict and fragmentation..Taking specific works as examples,this article discusses how ceramic art under the perspective of violent aesthetics presents to the audience not only the emotions brought by abstract expressionism,but also a more in-depth analysis of the pain experience and release of aggressive desire under violent aesthetics.,recognizing the existence of life and death instincts,as well as tragic aesthetics and the Dionysian spirit.
作者
欧阳宁远
Ouyang Ningyuan(Jingdezhen Ceramic Institute,Jiangxi,Jingdeizhen,333000,China)
出处
《陶瓷》
CAS
2024年第4期111-113,183,共4页
Ceramics
关键词
暴力美学
陶艺
破碎
痛感
攻击欲
酒神精神
Aesthetics of violence
Pottery
Brokenness
Pain
Desire for aggression
Dionysian spirit
