摘要
论文着眼于文本和图像两个方面,分析了两宋时期释迦苦行的新发展,即“鹊巢于顶”“芦芽穿膝”,具有禅相圆满、定久忘形的思想内涵。其文本在禅林中盛行,成为参禅悟道的偈语,不但代表苦行,有的还象征成佛。其图像彻底摆脱了以往基于佛传经典创作的释迦苦行像模式,不再凸显羸瘦的形体,而是融入中国创意呈现全新面貌。
The paper focuses on two aspects,text and image,and analyzes the new development of Shakyamuni's asceticism during the Song Dynasty,namely"Magpie Nesting on Head"and"Reed Sprout Piercing the Knees",which have the ideological connotation of complete Zen and long-term forgetfulness.Its text is popular in the Zen area and has become a verse for meditation and enlightenment.It not only represents asceticism,but also symbolizes becoming a Buddha.Its image completely breaks away from the traditional pattern of the Buddha's ascetic statue based on Buddhist scriptures,no longer highlighting its slender form,but integrating Chinese creativity to present a new appearance.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2024年第2期134-140,I0003,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社科基金宗教学项目《中国佛教图像与思想研究》(21BZJ003)阶段性研究成果。
关键词
两宋时期
释迦苦行“鹊巢于顶”“芦芽穿膝”
文本与图像
中国化
The Song Dynasty
Shakyamuni asceticism:"Magpie Nesting on Head"and"Reed Sprout Piercing the Knees"
text and images
sinicization
