摘要
隋唐造像记的图版著录与印刷、摄影等技术的革新息息相关。早在唐代,隋唐造像记已经具备图版著录的条件,但今人对隋唐造像记图录的关注,多集中于清人杨守敬《寰宇贞石图》刊行以后的资料。故本文从技术革新的角度梳理隋唐造像记历代图版著录状况,并对涉及隋唐造像记图录的现代资料作系统的分类与总结。
The graphic catalogue of Buddhist statues in the Sui and Tang dynasties is closely related to the innovation of printing,photography,and other technologies.Modern scholars'attention to the catalogue of Buddhist statues in the Sui and Tang dynasties mainly focuses on the catalog that emerged after the Qing Dynasty.In fact,during the Tang Dynasty,Buddhist statues already had the technical conditions for recording.This article summarizes the historical description of Sui and Tang Dynasty statue records from the perspective of technological innovation,and systematically classifies and summarizes the description of Sui and Tang Dynasty statue records based on modern catalog data.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2024年第2期1-8,I0002,共9页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社科基金重大项目《中国古代石刻文献著录总目》(19ZDA288)阶段性研究成果。
关键词
隋唐
造像记
图录
拓本
印刷技术
Sui and Tang dynasties
Buddhist Statues
Catalogue
Rubbings
Printi ng Technology
