摘要
基普哈特的《奥本海默案件》是一部文献剧名作。该剧的情境设计方式独具匠心,剧作第一场戏的内容构成了全剧的核心事件,确定了审讯中的人物关系,同时也引导读者去关注奥本海默的思想问题,以此暗示了作品即将深入揭示的意义。然而,当我们观照剧本的情节发展形态及其主题思想之时,便会发现这部作品的主题并不在于人物表达的精神理想;相反,文本通过案件讨论的内容和情节结构,完成了对人物抱持的虚假意识的否定。基于文本分析,并结合西方美学史各个时期关于“诗”与“真”的问题的论述,不难发现《奥本海默案件》对于文献剧创作法的启示:文献剧的创作不是对“真”的铺陈,而是对“诗”的建构。
The play under the title of In der Sache J.Robert Oppenheimer(1964)written by Heinar Kipphardti-sa famous work of documentary theatre.Theset of the situation of this play has great originality.The content of first act is the central event in plot.Meanwhile,this event has drove the characters fall into conflicts and the readers have inspired by the event and then pay attention to the ideology of Oppenheimer.However,when we focus on the plot and subject of the play,we will find the fact that the subject of this play isn't the ideals of protagonist,but the denial of all of the illusory ideals.The play's discussions and structures have confirmed the abovementioned viewpoint.Based on the criticism,and discoursed upon the viewpoints of poetry's facticity written by philosophers in each period of the history of Hesperian aesthetics,we should make the conclusion that the creative work of documentary theatre isn't cluttered documents but a well-designed poetry.
出处
《戏剧与影视评论》
2023年第5期65-78,共14页
Stage and Screen Reviews
基金
2020年度国家社科基金艺术学重大项目“跨门类艺术史学理论与方法研究”(项目批准号:20ZD25)成果。
关键词
文献剧
戏剧形式
《奥本海默案件》
真实性
美学
documentary theatre
the form of plays
In der Sache J.Robert Oppenheimer
facticity
aesthetic
