摘要
19世纪美国女诗人艾米莉·狄金森的诗歌营造了主体性思维景观和个体化审美空间。主体性思维融感性与“慧性”于一体,打造感知和体察世界的“融合性思维图景”;审美空间是个体情感和情趣塑造的性灵世界。在其诗歌中,物是物自体而非康德所谓的现象;人是自由的人,在“存在”中不断获得和扩展“智慧”。诗人背离语法惯例,进行语言实验,将处于诗句任意位置的普通事物大写。狄金森以此反抗既定语言秩序,批判等级制理性传统。通过塑造“性灵人格”,诗人探索人类本性和本心,抗击理性人格对存在本性的遮蔽。
Emily Dickinson,an American female poet in the 19th century,creates a landscape of subjective think⁃ing and an individualized aesthetic space in her poems.The subjective thinking incorporates sensibility and intelligence,building up“a landscape of integrative thinking”to feel and experience the world.The aesthetic space is a spiritual world that is shaped by individual disposition and aesthetic originality.In her poetry,objects are“things-in-themselves”,not the“phenomenon”in Kantian sense;poetic characters are free human beings,perpetually acquiring and expanding wis⁃dom in their existence.The poetess violates the grammatical rules and makes linguistic experiments,capitalizing common words in any place in a poetic line.In this way,she rebels against the fixed rules of English language and dispels the hierarchical traditions of rationality.By creating a personality that shines forth with particular temperament and intelligence,Dickinson searches to recover the authentic and primordial sensibility while battling the blocking of existential essentials by rational personality.
出处
《吉林大学社会科学学报》
北大核心
2024年第2期79-87,237,238,共11页
Jilin University Journal Social Sciences Edition
基金
辽宁省社会科学规划基金重点项目(L21AWW001)。
关键词
艾米莉·狄金森
理性批判
语言实验
融合性思维景观
性灵世界
悬置
Emily Dickinson
critique of rationality
linguistic experimentation
the landscape of integrative think⁃ing
the world of natural disposition and intelligence
suspension
