摘要
17世纪法国古典主义画家普桑的作品包含崇高、秩序性和精神力量,而欧洲现代绘画在经历多重艺术运动的过程中,重新发掘了普桑绘画的内在性力量,从“现代绘画之父”塞尚,到反思激进前卫实践的安德烈·德朗和巴尔蒂斯,再到二战之后的弗朗西斯·培根,每一代具有节点意义的现代画家都以独特的方式“回到普桑”,以此获得现代主义实践的精神动力与艺术资源。本文致力于梳理这条回溯“传统”之路,通过将普桑与欧洲现代绘画的发展连接起来,更深入地揭示现代主义绘画的本质及渊源,同时以更开放的视野重新审视古典主义。
The artworks of Nicolas Poussin,a French classical painter in the 17th Century,contained sublimity,order and spiritual power.The inherent power of Poussin's paintings was rediscovered in multiple artistic movements of European modern paintings.From"the father of modernism"Paul Cézanne to Andre Derain and Balthus who reflected on radical avant-garde practice,and to Francis Bacon after the World WarⅡ,every generation of modern painters with a nodal significance"returned to Poussin"in a unique way,thus obtaining spiritual motivation and artistic resources for modernist practice.This article combs through their path of returning to"tradition".By putting Poussin into the development of modern European painting,it reveals the nature and origin of modernist painting in a more thorough way and reexamines classicism with a more open perspective.
作者
宋佳益
Song Jiayi(the College of Fine Arts,Capital Normal University)
出处
《美术》
CSSCI
北大核心
2024年第3期128-137,共10页
Art Magazine
