摘要
20世纪20年代后期,中日画坛相继开始出现对“石涛”的再认识,赋予了石涛与西方现代主义思潮类似的变革性意义。这种思潮的出现与特定的时代情境相关,同时,中日画家群体间密切的交流互动也为新的价值判断提供重要条件,其中,桥本关雪的著作《石涛》即是第一部完整的“石涛”主题研究专著。本文以桥本关雪与上海画坛的书画交游为中心,考察这一时期两地画坛在西方现代主义传入后,如何以新的艺术观念来重新审视与评价文人画价值,进而赋予石涛现代性意义。
The further understanding of“Shi Tao”by Chinese and Japanese painting circles in the late 1920s gave Shi Tao a revolutionary significance similar to that of modernism in the west.The emergence of such a trend was related to the specific situation back then.Besides,close exchanges and interactions between Chinese and Japanese painters were also important for new value judgments.Hashimoto Kansetsu's Shi Tao was the first complete,dedicated Shi Tao-themed monograph.Based on exchanges between Hashimoto Kansetsu and painting circles in Shanghai on calligraphy and painting,this article examines how painting circles in China and Japan reexamined and thought about the value of literati paintings with new artistic concepts after the introduction of western modernism and gave Shi Tao a modern significance.
作者
王进
王薇睎
Wang Jin;Wang Weixi(the Fine Arts School,Shandong University)
出处
《美术》
北大核心
2024年第3期62-71,共10页
Art Magazine
关键词
桥本关雪
海派
石涛
美术交流
Hashimoto Kansetsu
the Shanghai School
Shi Tao
art exchanges
