摘要
《爱·文姬》这部音乐剧以“蔡文姬归汉”为线索,从女性视角对蔡文姬这个人物进行塑造。她对亲人有小爱之心,对苍生有博爱之心,对国家有大爱之心,同时更是挚爱文化。这些特质在女主角“角色化”演唱的过程中都被淋漓尽致地表达了出来,也体现了这部音乐剧深刻的内涵和时代主题,即民族的融合、团结和发展。虽然,在这部音乐剧中没有提到一个“爱”字,但是全剧爱意浓浓,同时,这也是音乐剧女主角“角色化”演唱的结果。
The musical"Love Wenji"takes"Cai Wenji's Return to Han"as the clue,and portrays the character of Cai Wenji from a female perspective.She has a small love for her family,a universal love for the world,a great love for her country,and a deep love for culture.These are all reflected in the process of the female protagonist's"characterization"singing.The connotation of this musical is profound,reflecting the theme of the times,which is the integration,unity,and development of the nation.This musical does not mention the word"love"from beginning to end,but the love is strong,which is the result of the female lead's"characterization"singing in the musical.
作者
韩雪
HAN Xue(Shenyang Conservatory of Music,Shenyang 110000,China)
出处
《赤峰学院学报（哲学社会科学版）》
2024年第2期74-77,共4页
Journal of Chifeng University：Philosophy and Social Science Chinese Edition
关键词
《爱·文姬》
音乐剧
女主角
“角色化”
演唱
"Love My Concubine"
Musical
The Female Protagonist
"Characterization"
Sing
