摘要
文人五言诗体是在汉魏时期音乐与语言双重规定和双向建构中形成的。汉武帝“立乐府而采歌谣”,以及民间乐府在汉代宫廷的广泛传播,是五言体生成的基础和源泉。相和三调等乐府演唱艺术的曲式结构对五言体篇制结构的形成产生了重要影响,五言体乐府的文辞本在文人中的广泛传播以及文人对乐府文辞本的雅言翻写,确立了五言句式的典范地位,再经魏晋文人在诗歌创作中的提炼和抽象,五言体最终得以确立。文人五言诗体的形成虽涉及音乐与语言的双向建构、雅言与俗语的交流互动、文人文化圈与民间文化圈的互渗与交融等多种因素,但贯穿始终的是人们在文事活动中对五言体的选择和群体确认。文人五言诗的体式是音乐文化、汉语发展和文人群体规范等因素综合作用的结果。
ion of poetry creation by Wei and Jin literati.Although the whole process involves many factors,such as the two-way construction of music and language,the exchange and interaction of elegant language and common language,the mutual infiltration and blending of the literati cultural circle and the folk cultural circle,etc.,what runs through is people’s choice and group confirmation of the five-character style in literary activities.The style of literati’s five-character poetry is the result of the comprehensive effects of factors such as music culture,the development of Chinese language,and the norms of the literati groups.
作者
吴大顺
WU Da-shun(School of Chinese Language and Literature,Guangxi Normal University,Guilin 541004,China)
出处
《广西师范大学学报（哲学社会科学版）》
CSSCI
2024年第1期130-141,共12页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金重大项目“中国诗词曲源流史”(11&ZD105)、“汉魏六朝诗体研究”系列论文之四。
关键词
乐府诗
文本
传播
五言诗
体式
建构
Yuefu poetry
text
communication
five-character poetry
style
construction
