摘要
2000年之后,传统文化的共性审美与具有较强个性风格色彩的“创意”陶瓷产业开始产生冲突与矛盾;疫情过后,多元化、创新化、民族化的陶瓷审美需求逐渐扩大,而景德镇陶瓷产业内涵是应该继续保持一股青春期的热情,还是回到前寻找传统的价值观念,确立一种工艺文化价值取向,都将面临来自市场环境等一系列挑战。因此疫情之后景德镇陶瓷产业内涵的转变以及如何对景德镇“创新型”的城市形象树立变得举足轻重。
After 2000,the common aesthetic of traditional culture and the creative ceramics industry with strong personality style began to conflict and conflict;after the epidemic,the diversified,innovative and national ceramics aesthetic demand gradually expanded,and the connotation of Jingdezhen ceramics industry should continue to find traditional values,and establish a series of challenges from the market environment.Therefore,the transformation of the connotation of Jingdezhen ceramic industry after the epidemic situation and how to establish the innovative city image of Jingdezhen have become very important.
作者
高伟松
Gao Weisong(Jingdezhen Ceramic University,Jingdezhen,333403)
出处
《陶瓷研究》
2023年第6期96-98,共3页
Ceramic Studies
基金
景德镇陶瓷大学研究生创新创业创业基金省级立项(项目编号:YC2020-B151)--《疫情之后:景德镇陶瓷艺术产业文化内涵转变与影响》。
关键词
疫情之后
直播
陶瓷产业
内涵转变
After the outbreak
Live telecast
Ceramic industry
Connotation change
