摘要
文章运用符号学的研究方法,对“滚龙连厢”进行剖析。首先,从历时性视角着手,分析“滚龙连厢”“龙符号”生成的内在根因,并归纳出集体无意识中的模拟习俗、历史长河中的“龙文化”印记及时代需求下的“修辞”行为三方面原因。接着,从本体与非本体两个层面探究“滚龙连厢”“龙符号”的能指构成;最后运用罗兰·巴特结构主义符号学中的“多级指示系统”概念阐明其模拟形态、祈福祷告、文化象征的多级所指。本文意在将符号学的理论方法引入“滚龙连厢”的理论及其实践研究,从而提供新的研究视角并对“滚龙连厢”的符号建构体系进行整体性的分析,同时尝试探讨原生形态中国民族民间舞的过度修辞问题。
This article uses the research method of semiotics to analyze“Gun Long Lian Xiang”.Firstly,from a diachronic perspective,it analyze the internal root causes of the generation of the“Gun Long Lian Xiang”and“dragon symbols”,and summarize three reasons:the simulated customs in collective unconsciousness,the“dragon culture”imprint in the long river of history,and the“rhetorical”behavior under the needs of the times.Next,explore the signifier composition of its“dragon symbol”from the perspectives of ontology and non ontology;Finally,the concept of“multi-level indicator system”in Roland Barthes structuralism semiotics is used to clarify the multi-level signified of its“dragon symbol”simulation form,prayer and cultural symbol.The purpose of this paper is to introduce the theoretical method of semiotics into the theoretical and practical research of“Gun Long Lian Xiang”,so as to provide a new research perspective and conduct a holistic analysis of the symbol construction system of“Gun Long Lian Xiang”,and try to explore the excessive rhetoric of the original form of Chinese folk dance.
作者
黄霄
HUANG Xiao(School of Arts and Communication,Beijing Normal University,Beijing 100875,China)
出处
《湖北科技学院学报》
2024年第1期85-91,共7页
Journal of Hubei University of Science and Technology
基金
北京市社会科学基金项目“中国民族民间舞观念流变文献整理与理论研究(1949—2012)”(21YTC036)阶段性成果。
关键词
滚龙连厢
土家族舞蹈
舞蹈身体语言
非物质文化遗产
龙文化
符号学
“Gun Long Lian Xiang”
Tujia dance
Dance body language
Intangible cultural heritage
Dragon culture
Semiotics