摘要
受理学思想影响,北宋绘画在美学理论和实践中出现了“尚理”之风。艺术家把穷理作为观物的前提,力求在绘画中超越表面形似,在纷繁物象中把握事物内在的规律和物理,并上升至天地生成之道,将事物看作宇宙造化的部分,致力在自然整全性中表现事物的蔚然生意。同时艺术家也要随造化而动,以自我之天性贯通万物之天性,打通“造化”与“心源”,映现出物象的真性。
Influenced by the Neo-Confucianism,the painting of the Northern Song Dynasty developed a trend of“advocating Principle(Li)”in both aesthetic theory and practice.Artists took the concept of investigating Principle(Li)as a prerequisite for viewing objects,striving to transcend surface resemblance in their paintings,grasped the inherent laws and physics of things in the multitude of objects,and ascended to the way of creation of heaven and earth,viewing things as part of the universe’s creation.They were committed to expressing the natural business of things in the entirety of nature.At the same time,artists should also move with creation,integrated their own nature into the nature of all things,connected the“creation”and“source of mind”,and reflected the authenticity of objects.
作者
皮佳佳
PI Jiajia(Aesthetic Education Research Center,Guangzhou Academy of Fine Arts,Guangzhou 510006,China)
出处
《美育学刊》
2024年第1期75-82,共8页
Journal of Aesthetic Education
基金
广州美术学院校级科研项目“饶宗颐文人画思想研究”(23XSC36)的研究成果。
关键词
北宋
理学
绘画
形
理
真
the Northern Song Dynasty
Neo-Confucianism
painting
appearance
Principle(Li)
authenticity
