摘要
手工印染使织物成为纹样的载体,也使织物有了艺术的生命,立体造型的概念让传统手工艺术焕发新的活力。将传统手工与现代设计结合,缩小了现代人与传统的距离,体现了传统手工艺术可持续发展的理念。基于此,分析立体构成与立体缝褶的概念内涵,探讨立体缝褶与扎染结合的可行性。通过将扎染面料与平行缩褶、立体缝褶及其添加设计结合,探寻立体缝褶扎染面料设计应用的审美内涵、设计要点及设计应用形式。
Hand dyeing made the fabric as a carrier of patterns and also gave the fabric an artistic life.The concept of three-dimensional modeling gave new vitality to the traditional handicraft art.The combination of traditional handicraft and modern design has narrowed the distance between modern people and tradition and also reflected the concept of sustainable development of traditional handicraft art.Based on this,the conceptual connotation of three-dimensional composition and sewing pleats was analyzed,while the feasibility of combining three-dimensional sewing pleats and tie-dyeing was explored.Through the combination of tie-dyed fabric with parallel shrinkage pleats,three-dimensional sewing pleats and three-dimensional shrinkage,the aesthetic connotation,design points and forms of design and application of three-dimensional sewing pleated tie-dyed fabric were explored.
作者
奚燕锋
XI Yanfeng(School of Art&Design,Nantong Vocational University,Nantong 226007,China)
出处
《纺织科技进展》
CAS
2024年第1期53-57,共5页
Progress in Textile Science & Technology
基金
江苏省教育厅2019年度高校哲学社会科学基金项目“传统手工印染在设计中的应用研究”(2019SJA1508)
南通职业大学2022年度立项校级科研项目“手绘在现代设计中的应用研究”(22SK04)。
关键词
立体
缝褶
扎染
设计
应用
three-dimensional
stitching
tie-dyeing
design
application
