摘要
后艺术时代的艺术具有三大特点:四个场极(先锋艺术、大众艺术、电型艺术、设计艺术),三类对立(先锋艺术与后三类艺术),四圈(先锋艺术之圈、大众艺术之圈、电型艺术和设计艺术的艺术部分之圈、非艺术部分之圈)互动。三大特点在思想上受升级了的科学和哲学形成的新世界观的影响,这就是相对论和量子论中的质能一体和时空一体观念。这两大特点从各类艺术特别是绘画中体现出来,后艺术时代的西方绘画,主要体现在两点:一是如何在画中表现虚;二是如何在画中突出时间。最有代表性的画家,在这两方面都有自己的独特性。通过对西方绘画大家作品的分析,可以看到,西方后艺术时代的艺术,在体现虚实结构之“虚”和突出时空结构之“时”上,与中国和印度的古典绘画既有相同的一面,还有不同的一面,体现了西方对虚和时的理解。这种理解可以从两个方面进行:一是自身的历史演进;二是中西印的文化比较。从西方的古今之变和中西印的艺术互鉴,可以更深地体悟西方后艺术时代中的艺术特质。
Arts in the post-art era are characterized by three key factors:the interaction between four pole-fields(vanguard art,mass art,electronic art,and design art),the contradictions between vanguard art and the latter three types,and the existence of four spheres(vanguard art,mass art,electronic art,and design art).These characteristics have been influenced by new world⁃views stemming from advancements in science and philosophy,particularly the concepts of time-space unity and mass-energy e⁃quivalence.These ideas find expression in all forms of art,especially in the paintings of the post-art era.Accomplished painters demonstrate two distinct characteristics:an emphasis on the void of the substance-void structure and a focus on the time in time-space unity.While Western art shares similarities with the paintings of ancient China and India in these aspects,there are also nota⁃ble differences among the three cultures.Therefore,a comprehensive understanding of Western art in the post-art era requires an exploration of two dimensions:the transition from the art of the art era to the art of the post-art era,and a comparative study of Chinese,Western and Indian arts.
作者
张法
ZHANG Fa(College of Literature and Journalism,Sichuan University,Chengdu 610064,Sichuan)
出处
《厦门大学学报（哲学社会科学版）》
北大核心
2024年第1期135-145,共11页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
后艺术时代
质能一体
时空一体
中西印艺术
艺术互鉴
post-art era
mass-energy equivalence
time-space unity
Chinese
Western and Indian arts
comparative study of arts
