摘要
晚清民国时期,坚守传统诗词创作的女诗人在时变中打破传统文学话语体系,让创作焕发出新光彩,潮汕女诗人在文化转型期的诗词创作尤值关注。潮汕地处地南沿海,崇尚儒学,晚清以来社会呈现新旧并存、中西交汇的多元特征。女诗人深受传统文化、地域语境、时代观念的影响,诗词创作题材更为广阔,情感更为丰富。潮汕女诗人卢蕴秀、游郁英、许心影等的诗词创作涉及纪事诗、山水诗、纪游诗、怀古诗、赠别诗等,既反映近代潮汕地区的文学风貌,亦可窥视地处东南沿海女性在时代变迁中的经历与情感体验。分析其创作的诗词,可发现创作时的艺术风格、价值观念与所处的时代文化环境相密相连。考察这一时期潮汕女诗人群体风貌,对重构近代地方文学景观、理解近代岭南文学乃至中国文学有着独到的意义。
From the late Qing Dynasty to the Republic of China,female poets who used to stick to traditional poetry have broken through the shackles of the traditional literary discourse in the changing times,and the poetry writing of Chaoshan female poets in the times of cultural transformation are especially worthy of attention.Chaoshan,situated on the south coast of China,has been a Confucianism society.In the late Qing Dynasty,it was characterized by the co-existence of the old and the new,and the convergence of the East and the West.Deeply influenced by traditional culture,regional context,and the concept of the times,Chaoshan female poets created poems on a wide range of subjects,reflecting their exuberant feelings.Female poets from Chaoshan,such as LU Yun-Xiu,YOU Yu-Ying,XU Xin-Ying,etc.,wrote poems about chronicles,landscapes,journeys,nostalgia,and farewell,which not only reflect the literary style of the Chaoshan in the modern times,but also provide a glimpse of the life experiences and emotions of women born on the southeast coast of China during the changes of the times.By analyzing the poems they wrote,it can be found that the artistic style and values of the creation at that time were closely linked to the cultural environment of the era in which they lived.An examination of the general picture of Chaoshan female poets during this period is of unique significance in reconstructing the local landscapes in contemporary literature and understanding modern Lingnan literature and even Chinese literature.
作者
罗玉钗
LUO Yu-Chai(Institute for Culture and Tourism,Shantou Polytechnic Institute for Social and Cultural Studies,Shantou 515078,China;Macao University of Science and Technology,Macao 999078,China)
出处
《哈尔滨师范大学社会科学学报》
2023年第6期107-111,共5页
Journal of Social Science of Harbin Normal University
关键词
晚清民国
潮汕女诗人
时代观照
创作风格
from the Late Qing Dynasty to the Republic of China
Chaoshan women poets
consideration on contemporary era
creative style
