摘要
在比较美学视域下,18世纪中法宫廷艺术作为东西方的一种艺术现象,必然受其赖以生存的社会历史、文化环境等影响。通过对18世纪中法宫廷艺术的审美进行比较,发现二者在当时的社会文化背景、审美主体的审美趣味上具有共通性,在审美主体的审美格调与美学思想根基上又有独特性,同时又呈现出“西洋技法”与“中国元素”东西融合的文明互鉴与转译的现象。
From the perspective of comparative aesthetics,Chinese and French court art in the 18th Century,as an art phenomenon in the east and the west,is bound to be influenced by social history and cultural environment on which it depends.By comparing the aesthetics of Chinese and French court art in the 18th Century,this article finds that they have similarities in social and cultural background and aesthetic taste of aesthetic subjects at that time,and have their own features in the aesthetic style and thought foundation of aesthetic subjects.Meanwhile,the integration of the east and the west,namely mutual learning and translation of"western techniques"and"Chinese elements",can be seen in the two countries.
作者
王胜选
Wang Shengxuan(Ankang University;Renmin University of China)
出处
《美术》
北大核心
2024年第1期144-146,共3页
Art Magazine
基金
陕西省社会科学基金项目《传统年画的现代性与当代复兴的路径及机制研究》(项目批准号:2022J053)的阶段性研究成果。
关键词
宫廷艺术
比较美学
文明互鉴
court art
comparative aesthetics
mutual learning of civilizations
