摘要
叶浅予1935年的北游之旅,既是他速写生涯的标志性节点,同时也是其接触平津文化圈的重要契机。北游之旅正值叶浅予的漫画成名作《王先生》影视化之路肇始,对他在漫画上进行平民化、跨地域的叙事转向具有直观的推动作用。与平津文化圈的交往,则为意图寻求艺术转型的叶浅予提供了多元的文化滋养,不仅形塑了他对漫画、速写的新认知,使叶浅予注重速写的现场感知意识与本体艺术价值,更以趋于传统导向的文化环境,促进了他对“传统”在融入大众趣味与世俗审美层面的探索,为“速写漫画”的生成奠定了深厚而鲜活的学理基础。
Ye Qianyu's journey to the north in 1935 was not only a landmark in his sketching career,but also an important opportunity for him to get in touch with the cultural circles of Beijing and Tianjin.This journey coincided with the beginning of the film and television adaptation of his famous comic strip Mr.Wang,which directly promoted him to shift to ordinary people-oriented and cross-regional narrative.Ye Qianyu's interaction with the cultural circles of Beijing and Tianjin provided him with diverse cultural nourishment as he sought artistic transformation,which not only shaped his new understanding of comic strips and sketches,but also helped him pay attention to the on-site perception and the artistic value of sketch itself.More importantly,the tradition-oriented cultural environment promoted his exploration of the integration of"tradition"into popular taste and aesthetics,laying a profound and vigorous academic foundation for the emergence of"sketch comics".
作者
李中诚
Li Zhongcheng(Central Academy of Fine Arts)
出处
《美术》
北大核心
2024年第1期58-66,共9页
Art Magazine
关键词
叶浅予
速写漫画
中国画
北游之旅
平津文化圈
Ye Qianyu
sketch comics
Chinese painting
journey to the north
cultural circles of Beijing and Tianjin
