摘要
吴梅《霜厓诗录》中有许多诗作记录了他与其他曲学家的交游、唱和活动,或直接展现了吴梅的戏曲观点,可作为探究其曲论与近代昆曲发展史的研究材料。以吴梅《霜厓诗录》中有关戏曲的诗作为研究对象,从其内容、所涉及人物与剧作出发探究,发现这些诗作可以反映出十九世纪末、二十世纪初昆曲式微的情况,展现了吴梅在戏曲界以南方为中心、北方为补充的交游范围与影响范畴,体现着吴梅要求积极意义、重理论道德教化的戏曲价值取向。
Wu Mei’s Shuangya Poem Collection contains many poems that record his interactions with other opera scholars,or directly show his viewpoints on opera,can be used as research materials to investigate his theory of opera and the history of the development of the modern Kunqu Opera.The paper takes the poems about opera in Shuangya Poem Collection as the object of the study,and finds that these poems can reflect the decline of Kunqu Opera at the end of the 19th century and the beginning of the 20th century.They show the social circle and influence of Wu Mei in the field of opera,and reflect Wu Mei’s opera value orientation which is to demand positive meaning and to empha⁃size the moral education.
作者
王奕佳
王宁
WANG Yijia;WANG Ning
出处
《浙江艺术职业学院学报》
2023年第4期1-6,13,共7页
Journal of Zhejiang Vocational Academy of Art
基金
2019年度国家社科基金艺术学重大项目“新中国成立70周年中国戏曲史(江苏卷)”(19ZD05)阶段性成果。
关键词
吴梅
《霜厓诗录》
昆曲
戏曲发展史
Wu Mei
Shuangya Poetry Collection
Kunqu Opera
history of opera
