摘要
清初《香玉》和晚明《牡丹亭》建立了一种明确的对话关系,《香玉》是对《牡丹亭》至情论的遥相呼应和进一步的情感书写,是对明晚情感话语的自觉延伸与有意回响。从文学史发展的角度,梳理从《牡丹亭》到《香玉》中至情文化谱系的传承与发展,具有重要意义。
This paper establishes a distinct connection between the early Qing Dynasty's Xiangyu and the late Ming Dynasty's The Peony Pavilion.Xiangyu serves as a distant echo and a further exploration of the emotional themes introduced in The Peony Pavilion.It represents a conscious extension and an intentional homage to the late Ming Dynasty's discourse on emotions.This study holds significant value in elucidating the cultural lineage and the progression of the concept of the“Supreme Emotion”from The Peony Pavilion to Xiangyu within the context of literary history.
作者
党月异
Dang Yueyi(College of Literature and Journalism and Communication,Dezhou University,Dezhou 253023,China)
出处
《蒲松龄研究》
2023年第4期81-94,共14页
Study on Pu Songling
关键词
《牡丹亭》
《香玉》
至情
Peony Pavilion
Xiangyu
supreme emotion
