摘要
基于“二七”大罢工事件,中国作家蒋光慈通过大写历史的微观呈现方式创作了《少年漂泊者》,日本作家村山知义通过单线事件的复线凸显方式创作了戏剧《暴力团记》,人民群众通过客观历史的主观再现方式创作了“二七”大罢工纪念歌谣。在新历史主义视域下,中日文学书写既是以“二七”大罢工事件为历史基础派生的文学作品,又因各自不同的特质与历史原因而实现了对“二七”大罢工的重新建构。
Based on the“February 7”General Strike,Chinese writer Jiang Guangci created The Young Wanderer by microscopic presentation of history in capital letters,Japanese writer Tomoyoshi Murayama created the drama The Story of the Violent Group through the double-line highlighting of single-line events,and the masses of the people created the“February 7”Memorial Song through the subjective reproduction of the objective history.From the perspective of new historicism,the Chinese and Japanese literary writing is both a literary work derived from the event of the“February 7”General Strike,but reconstructs it for their own different qualities and historical reasons.
作者
白玉兰
雷松桦
BAI Yuan;LEI Songhua(School of Foreign Languages,East China University of Technology,Nanchang,China 330001;School of Literature and Law,East China University of Technology,Nanchang,China 330001)
出处
《温州大学学报（社会科学版）》
2023年第6期79-86,共8页
Journal of Wenzhou University：Social Science Edition
基金
江西省哲学社会科学规划项目(22WX16)
抚州市社会科学规划课题(22SK13)。
