摘要
“观物取象”与“立象尽意”作为中国传统美学的重要内容,在文化自信的当下为现代室内设计创新提供了新视角。理清其涵义以及设计学衍生意义,并以侗族文化主题的餐饮空间为例指导设计实践,旨在为创新现代室内设计作参考。
As important contents of traditional Chinese aesthetics,"observing objects to obtain images"and"establishing images to convey meaning"provide a new perspective for modern interior design innovation in the current era of cultural confidence.Clarify its meaning and the derivative significance of design,and guide design practice with the dining space themed by Dong culture as an example,aiming to provide reference for innovative modern interior design.
作者
牟彪
陶婵
徐鑫
MOU Biao;TAO Chan;XU Xing(Guilin University of Technology,Guilin,Guangxi,541006)
基金
广西教育科学“十四五”规划专项课题(2021ZJY1995)
桂林理工大学科研启动基金资助项目(GUTQDJJ202013)。
关键词
观物取象
立象尽意
侗族文化
主题餐厅
空间设计
Observing Objects to Obtain Images
Establishing Images to Convey Meaning
Dong Culture
Theme Restaurant
Space Design
