摘要
龙门农民画自20世纪70年代发轫以来,因其图像叙事的可解读性、持久传播力为乡民所熟识。随着中国改革开放、乡村振兴,龙门农民画通过程式化视觉语言、符号化图像、国家化观念阐释了从“小团圆”到“大团圆”的图像叙事流变,充分证明“团圆”是我国人民普遍认同的文化价值。华夏民族的团圆文化在龙门农民画中无论是作为主题还是表现形式,都有着丰富的体现;团圆在中国人的观念中既是天伦之圆、夫妻团圆、亲人团圆、骨肉情深、家庭和睦,也是国家统一、社会和谐、共同奋进,“团圆”成了中华儿女追求的生命情调、生命境界。
Since its emergence in the 1970s,Longmen farmer's painting has become well-known among villagers owing to the interpretability of its visual narrative and its long-lasting dissemination.With the implementation of the policies of reform and opening-up and rural revitalization in China,the Longmen farmer's painting narrates the evolution from reunion to unity by using stylized visual languages,symbolic images,and national values.It fully demonstrates that unity is a cultural value generally acknowledged by the Chinese people,which attaches value in both the themes and forms of this painting style.In the minds of the Chinese,the notion of reunion not only refers to the togetherness of family members,couples,and kin,but also brings about national unity,social harmony,and collective endeavors.Unity has become the realm of life pursued by all Chinese people.
作者
吴冠聪
WU Guancong(School of Arts and Design,Huizhou University,Huizhou 516007,Guangdong,China)
出处
《惠州学院学报》
2023年第5期18-24,共7页
Journal of Huizhou University
基金
教育部产学合作协同育人项目(220503242182450)。
关键词
龙门农民画
图像叙事
团圆
流变
Longmen farmer's painting
visual narrative
reunion
evolution
