摘要
《树》(2016)是尤金尼奥·巴尔巴卸任欧丁剧团行政职务前最后一部集体戏剧作品。导演以其独到视角与跨文化戏剧表现手法,对地缘政治与全球的经济、文化、民族、宗教、种族等元素话题进行不同程度的触及与思考。本文试图从个人见证角度补充国内对巴尔巴与欧丁剧团演出创作与构作法深度研究的间隙,梳理并呈现作品从灵感构思到最终舞台演出的全过程,解析巴尔巴从获取作品灵感元素材到运用构作法基本层的细节步骤,看他如何将戏剧实践作为探索工具对自我、他人及世界进行思考与审视。
Before his abdication from the executive position,Eugenio Barba's final ensemble work with Odin Teatret,titled The Tree(2016),delves into and reflects upon geopolitics,global economic trends,cultural dynamics,ethnic diversity,religious matters,and racial issues.It stands out for its uniqueness and its intercultural theatrical presentation.This paper aims to contribute to the study of Eugenio Barba's dramaturgy by taking an interpersonal approach to illustrate and present the creative process behind this work.The narrative unfolds from the initial inspirational meta-Source collection to the eventual staging of the production.Additionally,the article delves into an in-depth analysis of Barba's dramaturgical tools,examining how they function as a means of speculation regarding himself,others,and the world at large.
出处
《戏剧（中央戏剧学院学报）》
北大核心
2023年第5期116-128,共13页
Drama:The Journal of the Central Academy of Drama
