摘要
从1981年由中国歌剧舞剧院于颖编导的舞剧《红楼梦》,到2021年由江苏大剧院运营,黎星、李超等主创的舞剧《红楼梦》,这是中国民族舞剧四十年历史跨越的缩影。“于颖版”《红楼梦》作为“新古典舞派”的代表剧目,坚持以戏曲舞蹈为基础发展舞剧语言,其脱胎于越剧版本,主张从人物思想感情的真实出发去编舞。“黎星版”《红楼梦》这部高度吸纳并整合了“舞蹈剧场”理念的“民族舞剧”,以戏剧的手段、舞蹈的身体逻辑进行叙事,将中国民族舞剧的创编推向一个具有里程碑意义的新高度。
From the dance drama Dream of the Red Mansion directed by Yu Ying of the China National Opera and Dance Drama Theater in 1981 to the dance drama Dream of the Red Mansion operated by Jiangsu Grand Theater in 2021,created by Li Xing,Li Chao and others,a microcosm of the 40-year history of Chinese ethnic dance drama can be seen.Yu Ying's version of Dream of the Red Mansion,as a representative play of the“new classical dance school”,adheres to develop dance language from traditional Chinese opera dance.This version originates from the Yue Opera and advocates choreography based on true thoughts and emotions of the characters.Li Xing's version of Dream of the Red Mansion is an“ethnic dance drama”that is highly absorbed and integrated with the concept of“dance theater”.They use dramatic means and dance body logic to narrate so that they advance the creation of Chinese ethnic dance drama to a new milestone.
作者
于平
张莉
Yu Ping;Zhang Li(Dance Academy of Nanjing University of the Arts,Jiangsu,Nanjing,210013;Dance School of Shanghai Theatre Academy,Shanghai,201102;Shanghai Music Publishing House)
出处
《民族艺术研究》
CSSCI
2023年第5期99-112,共14页
Ethnic Art Studies
基金
国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949—2019)”(项目批准号:19ZD17)的阶段性研究成果。
关键词
中国民族舞剧
《红楼梦》
新古典舞派
舞蹈剧场
Chinese ethnic dance drama
Dream of the Red Mansion
new classical dance school
dance theater
