摘要
“新动画中国学派”电影的本体转型与叙事理论建构,是“讲好中国故事”、由动画电影大国向动画电影强国迈进的必然要求。在文明互鉴与全球化的时代语境下,动画电影本体的转型是时势使然。而动画电影叙事理论的建构涉及:叙事理念和内容的重构,诸如本体构成、叙事策略、叙事伦理、改编理念等的蜕故孳新等;以及叙事形式的更新,诸如叙事视角、叙事结构、叙事时间、叙事空间、角色设定、叙事技术、视听语言等的改弦更张等。
The ontological transformation and narrative theory construction of the“Chinese School of New Animation”film is an inevitable requirement for“telling the story of China well”and moving from a big animation film country to a powerful animation film country.In the contexts of mutual learning between civilizations and globalization,the transformation of animated films is a result of the times.The construction of narrative theory in animated films involves the reconstruction of narrative concepts and content,such as the evolution of the ontology,narrative strategies,narrative ethics,and transformation ideas;as well as the updating of narrative forms,such as changes in narrative perspective,narrative structure,narrative time,narrative space,character setting,narrative techniques and audio-visual language.
作者
杨晓林
苏微中
Yang Xiaolin;Su Weizhong(Film Research Institute of Tongji University,Shanghai,200092;College of Design and Innovation,Tongji University,Shanghai,200092)
出处
《民族艺术研究》
2023年第5期47-55,共9页
Ethnic Art Studies
基金
2023年国家社科基金艺术学项目“动画电影‘讲好中国故事’叙事理论创新研究”(项目批准号:23BC051)的阶段性研究成果。
关键词
“新动画中国学派”电影
本体转型
叙事理论构建
迭代蜕变
文明互鉴
“Chinese School of New Animation”film
ontological transformation
construction of narrative theory
interactive transformation
mutual learning between civilizations
