摘要
中国新主流电影的实践是构成电影共同体美学的主要现实根基。新主流体育电影家国叙事与个体叙事共通、现实质感与激情镜语共美、体育精神与生命意义共融的艺术特征,集中体现了电影共同体美学的要义,实践着对这一电影类型“再现代化”的探索,并因其题材优势,或为中国新主流电影实现“我者思维”与“他者思维”的融通探寻新的路径。
The practice of China's new mainstream movies is the main realistic foundation of the aesthetics of the movie community.The artistic characteristics of the new mainstream sports movies,which share the common characteristics of the national narrative and the individual narrative,the beauty of the realistic texture and the passionate mirror language,the sports spirit and the meaning of life,embody the essence of the aesthetics of the movie community and explore the“re-modernization”of this type of movies,and because of its subject advantages,may carve new ways for the integration of“our thinking”and“other thinking”of China's new mainstream movies.
作者
钱凯
岳晓英
Qian Kai;Yue Xiaoying(General Education Center,Communication University of China Nanjing,Nanjing 211172;School of Arts,Southeast University,Nanjing 211189,China)
出处
《江苏大学学报（社会科学版）》
CSSCI
2023年第6期27-35,47,共10页
Journal of Jiangsu University(Social Science Edition)
基金
江苏省高校哲学社会科学基金重大项目(2021SJZDA105)。
关键词
共同体美学
中国新主流电影
体育电影
体育精神
生命意义
我者思维
他者思维
community aesthetics
China's new mainstream movies
sports movie
sports spirit
meaning of life
our thinking
other thinking
