摘要
船山情景论诗学具有伦理与审美相融的特色,是古典诗歌美学发展的高峰。船山情景论诗学本根于其气学,凸显了由“咸”(气之阴阳交感)到“感”(知觉、感通)再到“情”(喜怒哀乐之类的感情)的哲学理路和心理进程。船山立足于天人之际,通过“以情为几”的透现,揭示了诗情生成的心理机制。船山的情景论诗学坚守“心目为政”的儒学立场,吸收法相宗的合理因素,对“现量”进行了诗学改造,彰显了其儒释融合的特点。承接“感物”和“物感”的传统,船山细分了“景生情”“情生景”“神理凑合”三种情景交融心理机制。面对“心物不相准”的情况,船山一则运用“不奔注一情之发”的审美观照,“导天下以广心”;二则采取“不毗于忧乐”的审美态度,“裕于情”而“通天下之志”,并以感兴“荡涤浊心”“震其暮气”达成诗教拯救人心的社会功效。
The scene and sensation theory of Chuanshan contains both the characteristics of the ethics and aesthetics.It is the peak of the development of classical poetry aesthetics.Chuanshan’s scene and sensation theory highlights the philosophical path and psycho-logical process of transformation from“xian”(咸)to“sensation”(感)and then to“emotion”(情).The formation of Chuanshan’s poet-ic sentiment,based on between Heaven and Human,reveals the psychological mechanism of the formation of poetic sentiment through the revelation of“taking emotion as a few”.Chuanshan’s scene and sensation theory of poetry takes Confucianism as the position of“mind rules sensation”,absorbs the reasonable factor of vijnanavada,and carries on the poetics transformation of“pratyaksa”,which shows the characteristics of the integration of Confucianism and Buddhism.Following the tradition of“feeling things”(感物)and“things feeling”(物感),Chuanshan has subdivided three psychological mechanisms for the fusion of emotions and scenes:“scenery generates emotion”(景生情),“emotion generates scenery”(情生景)and“divine principles fit together”(神理凑合).In the face of the situation of“mind and matter discordance”,he uses the aesthetic observation of“not indulge in one emotion”,“guiding the world to a wide heart”,adopts the aesthetic attitude of“not being in sorrow and happiness”,“full of emotion”and“aspiration of the world”,and the feeling of“cleaning the turbidiousness of the heart”and“shaking its old age”,achieving the social effect of saving people’s hearts with poetry teaching.
作者
匡代军
王琼
Kuang Daijun;Wang Qiong(College of Liberal Arts,Changsha Normal University,Changsha Hunan 410100,China)
出处
《衡阳师范学院学报》
2023年第5期1-11,共11页
Journal of Hengyang Normal University
基金
国家社会科学基金一般项目“船山易学与诗学研究”(19BZW005)。
关键词
船山
情景论
气学
现量
心目为政
Wang Chuanshan
scene and sensation theory
Qi Theory
partyaksa
choosing emotional objects according to the mind
