摘要
苏童自1986年在《收获》上发表第一部小说《青石与河流》后,便与《收获》杂志及其编辑程永新建立了密切的合作关系,《收获》“参与”并见证了苏童的文学生产过程。此后,受新世纪以来文学降格的大众消费环境与短篇小说不景气等诸多因素影响,苏童与《收获》的合作关系日益疏离,表现为苏童积极探索《收获》之外的文学“场域”,其在《收获》的见刊量急剧减少并直至近十年的“缺席”。因此,如何培养并守住作家,并探寻其在新媒体时代环境中的生存空间从而巩固其纯文学期刊的固有地位,是《收获》等文学期刊当下谋求生存与发展的关键所在。
Since SU Tong published his first novel Bluestone and River in"Harvest"in 1986,he has established a close cooper-ative relationship with the magazine"Harvest"and its editor CHENG Yongxin."Harvest"has participated in and witnessed SU Tong's literary production process.Afterwards,influenced by various factors such as the declining mass consumption environment of literature since the new century and the slump in short stories,the cooperative relationship between SU Tong and"Harvest"has become in-creasingly estranged.SU Tong actively explored the literary"field"outside of"Harvest",and his publication volume in this magazine sharply decreased until his"absence"in the past decade.Therefore,how to cultivate and maintain writers,and explore their survival space in the new media era environment to consolidate their inherent position as purely literary journals,is the key to the survival and development of academic journals such as the"Harvest".
作者
杨雪钰
YANG Xueyu(Sehool of Literature,Southwest University,Chongqing 400715)
出处
《兴义民族师范学院学报》
2023年第5期30-36,共7页
Journal of Minzu Normal University of Xingyi
关键词
苏童
《收获》
程永新
文学期刊与文学生产
SU Tong
Harvest
CHENG Yongxin
literary periodicals and literary production
