摘要
元宇宙中的化身是观众在虚拟世界中的身份代理,观众通过交互设备控制化身实时地观察虚拟环境并体验虚拟活动。交互功能为化身参与动画创作带来可定制性,化身与化身直接的互动产生人机协同创作动画的现象。文章通过探索性研究发现在元宇宙中动画的角色要素被化身取代,观众通过元宇宙中的交互叙事功能直接控制化身在虚拟世界中创作动画。化身为不同领域的品牌跨界合作带来了机遇,同时对作品的版权保护问题产生多方面的影响。
Avatars in the metaverse serve as proxies for audiences in the virtual world,allowing viewers to observe virtual environments and engage in virtual activities in real-time through interactive devices.The interactive capabilities enable avatars to participate in animation creation,leading to collaborative animation production between avatars.This article presents an exploratory study that reveals how avatars replace the role elements of characters in animation within the metaverse.Audiences directly control avatars to create animations in the virtual world through interactive narrative functions in the metaverse.Avatars also bring opportunities for cross-industry collaborations among various brands while posing multifaceted challenges to copyright protection in creative works.
作者
吴毅儒
顾素文
Wu Yiru;Gu Suwen(School of Urban Arts,Tianjin Chengjian University,Tianjin 300384,China;School of Architectural Engineering,Tianjin Ren'Ai College,Tianjin 301636,China)
基金
中国版权保护中心2022年度版权研究重点课题“基于元宇宙平台的动画创作与NFT艺术品之间的版权保护策略分析”项目编号:BQ2022006。
关键词
元宇宙
动画
化身
Metaverse
animation
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