摘要
作为英国文化批评传统的实践者之一,弗吉尼亚·伍尔夫将趣味观融入作品创作。20世纪的现代性进程加速了人在社会生活中的情感空洞症候,在文学趣味上表现为伍尔夫同时期作家艾略特所述的“感受力分离”现象,其结果是趣味体验变得极其乏味。伍尔夫在创作中尝试以弥合感受力的方式解决这种趣味危机。东方文明作为人类感受力起源之一,契合了伍尔夫所属的文化圈试图唤醒感受力的迫切需求。伍尔夫的《奥兰多》,通过由视觉到味觉的感官转向、由分裂向融合的感受力转向,再通过由“相”到“象”的创作转向,反映了当时文化圈中趣味观之东方转向的内因。
As part of British cultural critique,Virginia Woolf infused her concern about taste into her writings.The modernization in the 20th century sharply induced people's hollowness of feelings,which was described by Woolf's fellow writer T.S.Eliot as“dissociation of sensibility”in literary taste causing insipidity at that time.Woolf no doubt tried to find ways for the fusion of feelings so as to eliminate the taste crisis.As one of the origins of human feelings,Oriental civilization corresponded to Woolf's need for inspiration from which she might draw to offer her own critique of the degradation of taste.Through the turn of taste from sight to gustation,from dissociation to fusion and from“idea”to"xiang"in Orlando,Woolf revealed the internal factors lying behind the Oriental turn of taste.
出处
《国外文学》
CSSCI
北大核心
2023年第3期88-96,共9页
Foreign Literatures
基金
贵州省高校人文社会科学研究项目“中华文明话语体系有关重大问题、前沿问题研究”的资助(项目编号:2023GZGXRW109)。
