摘要
中国现代化进程在20世纪30年代面临的内外困境,成功激活了文化界关切、书写及回应现实的传统。它不但促成了报道、写实浪潮的兴起,也导致新诗现代性追寻与展开的复杂维度。1937年《文学》“新诗专号”成为暴风雨来临之前的典型文化样本,从诗歌创作、评论、编辑、读者维度再现了新诗场域的文化景观,读者视野折射出新诗发展与社会认知的双向互动,以及对理想化诗歌的期待。
The internal and external dilemmas of Chinese modernization in the 1930s successfully activated the cultural tradition of showing concern to,writing about,and responding to reality.It not only contributed to the rise of the wave of reporting and writing,but also led to the complex dimen⁃sions of searching for and unfolding new poetry’s modernity.In 1937,the“Special Issue of New Po⁃etry”of the journal Literature became a typical cultural sample before the storm,reproducing the cul⁃tural landscape of the new poetry field from the perspectives of poetry writing,criticism,editing,and readership.The readers’view reflected the two-way interaction between the development of new poet⁃ry and social cognition,as well as the expectation for idealized poetry.Cultural elites and ordinary in⁃dividuals at the“crossroads”were easily swayed by ideas and caught in the vortex of ideas shaped by the noisy times.
作者
龙扬志
LONG Yang-zhi(College of Liberal Arts,Jinan University,Guangzhou,Guangdong,510632)
出处
《韩山师范学院学报》
2023年第5期2-9,共8页
Journal of Hanshan Normal University
基金
国家留学基金管理委员会2022年度资助项目。
关键词
新诗
现代化
现实
分化
《文学》
大众化
new poetry
modernization
reality
divergence
Literature
popularity
