摘要
在长期文化适应过程中,新宾地区传统的满族婚俗与汉族婚俗经过高度融合而形成一种文化共享现象。这体现了满汉两族的双向认同,也体现了双方的中华民族共同体意识。但当今新宾地区仅仅建构了满族传统婚俗而未建构汉族传统婚俗,体现了建构中的族源意识与地缘情结,体现了满族的文化自觉。建构的满族传统婚俗音乐不仅有萨满演唱《阿察布密歌》、满族秧歌、满族歌舞表演内容,还纳入了汉族吹打乐《抬花轿》。这些并非原生的满族婚俗音乐,由于和具有满族特色的婚俗仪程一起而使其涵义增大,从而具有了塑造满族文化认同的功能,实现了传统文化的当代影响力。
In the Xinbin area,the traditional Manchu wedding customs and Han wedding customs have undergone long-term cultural adaptation,leading to a phenomenon of cultural sharing through a high degree of integration.This reflects the mutual identification between the Manchu and Han peoples and the sense of community within the Chinese nation.However,the absence of traditional Han wedding customs in the Xinbin area reveals the significance of ethnic origin and geographical complexity in cultural construction,highlighting the cultural self-consciousness of the Manchu people.The constructed traditional Manchu wedding music not only includes the shaman’s singing of the“Acha Bumi Song”,Manchu rice-planting songs,and Manchu songs and dances but also incorporates the Han’s“Shi Hua Jiao”music.Despite being non-original Manchu wedding music,its association with wedding rituals featuring Manchu characteristics imbues it with added meaning.As a result,it plays a vital role in shaping Manchu cultural identity and perpetuating the contemporary influence of traditional culture.
出处
《音乐文化研究》
2023年第3期128-139,共12页
Music Culture Studies
基金
2020年度国家社科基金一般项目“满族传统仪式音乐融入中华民族共同体意识研究”(项目编号:20BMZ089)阶段性成果。
关键词
满族婚俗
《阿察布密歌》
双向认同
文化自觉
中华民族共同体意识
Manchu wedding customs
“Acha Bumi Song”
two-way identity
cultural self-consciousness
Chinese collective consciousness
