摘要
现实题材故事片《孤注一掷》精准地击中了大众的情绪痛点,以高话题度和高票房验证了电影照进现实的有效性,其中交织的争议也提示了影片的某种失重。影片在多线并进的叙事策略中呈现出剧作结构的开放性,在极端暴力的表现中与“骗”和“诱”同构,实现了电影的奇观化展示。然而,题材的胜利、奇观化的感官刺激其实不是万能的,难以抹平影片中的逻辑硬伤和叙事漏洞,电影的社会意义并不完全等同于艺术价值。
The reality-based feature film No More Bets hits the emotional pain points of the audience with precision,proving the effectiveness of this film's reflection of reality with high popularity and a substantial box office haul.The film employs a multi-narrative strategy,revealing an open-ended structure in its dramatic composition.Through its portrayal of extreme violence alongside the intertwined elements of"deception"and"temptation",the film achieves a cinematic spectacle.However,the success of its theme and the sensational visual stimuli cannot act as a universal concealer and mitigate the film's struggle to overcome the flaws in its logic and holes in its narrative.The artistic value of the film is not the equivalent of its societal significance.
出处
《电影艺术》
北大核心
2023年第5期69-72,F0004,共5页
Film Art
关键词
现实
重力
多线叙事
奇观配方
扁平化
社会意义
reality
weight of reality
multiple narrative
formula for spectacle
flattening
societal significance
