摘要
元末嘉兴“西塘派”兴起具有特定的时代背景、条件及成因,并有自身工艺创新特色,是各种综合性要素影响下的必然产物。因此,立足外在动因与内在变革两大要素探讨这一地域性漆艺流派的兴起历程具有重要意义。西塘漆工发挥地域性传统优势,顺应时变,确立高档设计和消费定位,设计制作以雕漆(剔红)为代表的各类中高档漆器,与时兴金银器、瓷器(宋元时江南三大工艺)等设计具有密不可分的互效关联性。更重要的是,西塘漆工深入融入宋人雅尚和风格,通过仿古借鉴和融会贯通力图满足时代高档消费需求,展现出富丽雅致的漆艺设计美学及创新特色。
Based on the specific background of the rise of the"Xitang School"in Jiaxing and its technological style,this paper discusses the main reasons for the rise of this regional lacquer art school from both external motivation and internal reform,it is a historical necessity to attribute the rise of"Xitang School"to the products influenced by various comprehensive factors.Xitang lacquer art gives full play to the regional traditional advantages,adapts to the time changes,establishes the high-grade design and the consumption orientation,and the various kinds of middle-grade and high-grade lacquerware designed and produced by Xitang lacquer art are closely related to the fashionable gold,silver and porcelain designs,etc.The design of porcelain,lacquerware,gold and silver ware in song and Yuan Dynasties were combined with moire and curling patterns,and finally transformed into its own innovative design features of red tape,ornate and elegant.
出处
《创意与设计》
2023年第4期64-71,共8页
Creation and Design
关键词
元代
西塘派
雕漆
西塘漆艺
美学
Yuan Dynasty
Xitang School
carved lacquerware
Xitang lacquer art
aesthetics
