摘要
近年来,随着城市更新的发展,风景成为文化编码网络的重要组成部分。该文针对法国作家勒·克莱齐奥的诺贝尔文学奖获奖小说《乌拉尼亚》中的风景展开分析,阐述以风景作为叙事媒介研究《乌拉尼亚》的必要性。全文通过文本细读说明两个乌托邦式社群,即“理想的城市”和“理想的学院”存在的问题,包括两者与现代城市文明的各种牵连。在此视角下,展示两个“理想”空间既非“自然的”,也非“和谐的”,与作为重要意象、代表理想本身的“乌拉尼亚”之间也存在本质区别,进而探讨乌托邦失败的内在原因及其现实意义。
With the development of urban renewal,landscape has gained more and more attention for its relevance to ideal lifestyle,and has become an important role in the encoding and decoding in the cultural discourse.This article analyzes the landscape in the Nobel Prize-winning novel Ourania by the French author Jean-Marie Gustave Le Clézio,and expounds the necessity of taking landscape as a narrative medium.With close reading,the article focuses on the paradox of the two Utopian communities("the ideal city"and"the ideal institution")and their connections with modern civilization.From this perspective,the article suggests that the"ideal spaces"in the novel are neither"natural"or"harmonious",but fundamentally different from the imago"Ourania"that represents"the ideal".On this basis,the internal reason of Utopia’s failure and its practical significance are discussed.
作者
刘碧原
LIU Biyuan(College of Arts and Sciences,Yangtze University,Jingzhou Hubei,434020,China)
出处
《文化创新比较研究》
2023年第22期13-17,共5页
Comparative Study of Cultural Innovation
