摘要
自《小武》在柏林电影节亮相至今,英国电影评论界对贾樟柯及其影片的关注愈二十年而不减,使其成为“第五代”后中国电影在西方的代言人。如何解释这一现象?通过全面评析英国电影杂志《视与听》(Sight&Sound)所刊贾氏电影评论和相关信息,本文认为该刊对贾樟柯的持续关注主要基于其影片所呈现的当代中国国情、虚实杂糅的创作手法以及对全球资本主义景观的思考。该刊对贾氏电影的这三种不同的接受维度比较典型地反映也影响了英语世界对当代中国电影的认知。
Since Xiao Wu was shown at the Berlin Film Festival,the British film critics have paid more and more attention to Jia Zhangke and his films for two decades,making him the representative of post-"fifth generation directors"in the West.How to explain this phenomenon?Through a comprehensive analysis of Jia's film reviews and related information published in the British film magazine Sight&Sound,this paper argues that the magazine's continued interest in Jia Zhangke is mainly based on three aspects,which cover the contemporary Chinese context presented by his films,his creative technique of mixing reality and fiction,and his reflections on the global capitalist landscape.The magazine's criticism of Jia's films more typically reflects and influences the English-speaking world's cognition of contemporary Chinese films.
作者
张华
张花
ZHANG Hua;ZHANG Hua
关键词
贾樟柯电影
《视与听》
中国电影的海外接受
Jia Zhangke's film
Sight and Sound
oversea acceptance of Chinesefilms
