摘要
科幻型灾难电影将现有的城市景观与未来的社会想象相结合,构造出完整的影像空间。影片中的地理空间营造通常有两种形式:一是在真实地理景观中融入虚构元素,二是直接将日常空间置换为灾难发生时的背景环境。其社会空间营造则表现出“乌托邦”与“反乌托邦”式的末日想象图景。土地情结、冒险精神、集体主义与个人主义也都影响着灾难电影的表达方式。
Science-fiction disaster films combine the existing natural urban landscape with the imagination of future social life to construct a complete image world.Geographic space construction in films usually takes two forms:one is to integrate fictional elements into real geographic landscape,the other is to directly replace daily space with the background environment when disaster occurs.The construction of its social space shows the"utopian"and"dystopian"apocalyptic imagination.Land complex,adventurous spirit,collectivism and individualism all affect the expression of disaster films.
作者
王尔玉
卢俊
WANG Eryu;LU Jun(School of Journalism and Communication,Anhui Normal University,Wuhu Anhui 241000)
出处
《牡丹江大学学报》
2023年第9期63-68,共6页
Journal of Mudanjiang University
基金
安徽省教育厅人文社会科学研究项目阶段性成果(项目编号:SK2020A0077)。
关键词
灾难电影
媒介地理学
空间营造
文化差异
disaster films
geography of media
space construction
cultural differences
