摘要
书法评论的对象是书法作品,而评论家的视野总在书法作品及其语境之间循环。书法评论具有描述、解释与评价的层级结构,人们对书法的认同与分歧因此呈现为复杂的形态。依据评价方式的不同,书法评论可以分为书品与书评。依据语言风格的不同,书法评论又可分为直陈与譬喻。在描述现象、解释意义、评判价值的过程中,蕴含在书法艺术中的“理”丰富而澄明起来。
The subject of calligraphy criticism is calligraphy work,and critic's perspective continually circulates between the work and its context.Calligraphy criticism embodies a structure of levels,consisting of description,interpretation,and evaluation,hence,people's consensus and divergence on calligraphy present complex forms.Depending on the methods of evaluation,calligraphy criticism can be categorized into calligraphy comment and calligraphy classification.Based on different linguistic styles,calligraphy criticism can also be divided into direct statements and metaphors.In the process of describing phenomena,explaining meanings,and evaluating values,the"principles"contained in calligraphy art are rich and clear.
作者
邓宝剑
DENG Bao-jian(Art and Communication College,Beijing Normal University,Beijing 100875)
出处
《艺术百家》
北大核心
2023年第4期82-89,共8页
Hundred Schools In Arts
关键词
书法评论
书品
书评
直陈
譬喻
Calligraphy Criticism
Calligraphy Classification
Calligraphy Comment
Direct Statement
Metaphor
